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• #827
I've got a Tamron 24-70 2.8 G2 coming from eBay. Supposedly 4 stops vibration reduction. Everything else will be done with primes.
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• #828
Personally I'd do either zooms or primes (assuming you only have one body) otherwise it would be constant mindfuck - do I swap zoom-to-prime or not - which will make you miss shots.
I'd ideally use a proper f2.8 / 80-200mm, and have some sort of second camera / body with something like a 35mm as well and just go with that.
My experience with weddings is that you'd rather actually get that shot, that moment, even if the focal length wasn't perfect and you actually will crop heavily from a wide angle shot or you could have made it a tad better with the fast prime at 1.8 but didn't as you used the zoom at 3.5 - fuck it, seriously, the people won't care, they're not photo nerds.I just made a book for people whose wedding ceremony I shot last year and I used a lot of b&w film shots in it that I basically did just for fun / for myself with a point and shoot on HP5 - even used one of these for the cover of the book actually, and they fucking love it.
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• #829
But why? I understand if you're only doing one type of photography, but different things need different lenses?
For me personally,
object is mostly static - prime
object is moving or I can't control the distance between me and object- zoomUnless you've got a bag full of 30 primes, you're going to need a zoom at some point
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• #830
I have me shooting a Nikon Df with Tamron 24-70 2.8 and my wife shooting candid shots on the Olympus OM-D E-M1 and a wide ish prime (14 or 20mm maybe)
I was thinking about hiring another full frame Nikon for a 50mm prime and swap between the two.
Any recommendations on where to hire a nice FX Nikon in Edinburgh or Dundee?
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• #831
@mi7rennie and @NurseHolliday
I edited / added to my post while you were replying so this might make more sense now -
• #832
Sorry I didn't even follow the thread and didn't realise we were talking specifically about weddings.
I thought you were saying in general pick primes or zooms
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• #833
Ok, thanks guys, I'll basically be using the zoom for the ceremony so I'm not too intrusive almost everything else I'll shoot with my primes.
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• #834
so I'm not too intrusive
Just f8 and be there!
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• #835
What's the go to LFGSS compact camera for when out and about riding? Giving serious thought to downsizing from my X-Pro2 to pocket some cash and get a compact. Picture quality, especially in low light is preferable.
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• #836
Ricoh GR2
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• #837
Sony RX100 whichever model you can afford (think it's the III which adds a viewfinder).
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• #838
iPhone
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• #839
got a ricoh GR that is perfect for this for sale if you want
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• #841
This one, £300 boxed
http://www.amateurphotographer.co.uk/reviews/compacts/ricoh-gr-review
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• #842
sample pix
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• #843
Oooo... That's tempting. Would ideally get something that covers 35mm focal length. What's the choices? X100? Which ones?
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• #844
The converter in the GR isn’t bad, X70 as well.
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• #845
the GR is pretty damn close to 35, you don't notice it
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• #846
I finally got the X-Pro2. It's heavier than I expected and the menu is weird but the photos it takes are phenomenal! I'm really excited about this one.
Also I'm parting with RX100 accessories, as I don't have the M3 anymore.
https://www.lfgss.com/conversations/317582/
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• #847
^
such a nice camera, love the design..
..that grip looks a bit shit though, is that an original one from fuji or a knockoff? -
• #848
It says MHG-XPRO2 on the bottom right, so I suppose it's original.
I like it since it adds a bit more grip to the camera, which isn't exactly a lightweight. Makes it easier to shoot one-handed. -
• #849
And it gives you the (can't remember it's name) tripod mounting option - the one that's not screwing a plate on the bottom each time.
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• #850
= I bought the grip when I bought the camera.
You can rent from somewhere like The Pro Centre. I’d get a Nikon 24-70 2.8 and a 70-200 2.8 but may be overkill.