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• #12252
thinking of getting the dildobass resprayed.
is there a thread approved rattle canner? can you get the hardware done at the same time? does the fact that it's a thru neck present any i$$ues?
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• #12253
Blick?
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• #12254
Not really a problem for me, I mainly used it for insipid indie-pop.
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• #12255
lord no.
white with blick widdly bits.
Mostly because i really don't like wood finishes.
thusly:
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• #12256
Forum approved nitro refinisher is (possibly?) Rich in Wales - he's done a few for me and @Nahguavkire, and a couple of others - all really good.
My set neck Les Paul was c.220, but it didn't need stripping - give a shout if you want his WhatsApp. I think he'll take hardware off, and put bushings and so on back in again after.
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• #12257
cheers
tho Wales is a bit of a round trip. Did you just ship it?
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• #12258
Yeah, I have a gator case, but also bubble wrapped and boxed it quite significantly.
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• #12259
Hey folks, on the lookout for a Walrus Audio Julia and Slo and/or Fathom reverb if anyone is selling!
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• #12260
Also, I have a Electro Harmonix Soul food and Mooer Blue Faze (rare little fuzz) for sale too :)
£35 ONO for each.
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• #12261
So I had actually forgotten I'd bid on this and now I own a Frankenphone Twelve Paul Jr :)
2 Attachments
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• #12262
Such a mad guitar!
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• #12263
Vera funky! Guess it's 25.5" scale? Do you know what model the neck is from?
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• #12264
That neck looks vintage, or do I just have poo in my eyes?
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• #12265
No poo... zero fret, maybe a 70s Japanese FT160 acoustic neck...?
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• #12267
Those mains outlets are almost as impressed as I am... I miss my old 70s Wilshire, didn't need a vibrato the neck was so bendy but it sounded terrific! Kat probably still has it...
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• #12268
I'm not sure but my suspicion is that it's a 60s or 70s neck... hopefully be able to figure it out when it arrives?
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• #12269
That actually looks a lot like one I nearly 'just went for' - not sure I want to stick with an annoying volume knob and tremolo though:
When I tried the American Tele it was in a PMT (which was really grim) - they had some of the Japanese ones in and they looked nice, but there's just not enough of a price difference between those and the US-made ones.
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• #12270
That's what Mike Dawes uses. It's a great indication of how the perfect 3+3 headstock design, to get straight string paths, is inevitably ugly.
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• #12271
It really is isn't it... 6-in-line makes for a far prettier headstock or else just live with the string paths like literally every single guitar player has successfully done for the last century...
I am surprised some nerds haven't used Steinberger tuners or extended tuner shafts on an aesthetically pleasing bigger headstock to get the same effect... I've yet to see it anyway?
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• #12272
extended tuner shafts on an aesthetically pleasing bigger headstock
You could, but then you’d have function following form in a visually jarring way, with extra material for the longer tuner shafts and surplus wood bulking out the headstock. I know lots of parts of an electric guitar are driven by aesthetics, but for most of it you can at least make an argument about functionality.
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• #12273
yeah but. "cuntz" u guise.
this place has changed.
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• #12274
By Cuntz, for cuntz...
You're not wrong... If an SUV were a guitar, what guitar would it be? 🤪
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• #12275
Epiphone Les Paul obvs
I've always added another string tree to my J basses to hold the A string down otherwise they just pop out too easily. I do hammer my strings though.