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• #127
Is that off the silverlink in Hackney wick?
(Old post to reply to I know)
Know Tiser. One of the best attitudes towards everything ever.
I know a few writers. A lot of writers are cocks. On the whole it's a bit self absorbed ego driven bullshit. (Massive generalisation)It's in Debnams Road, Bermondsey which regulary gets used for film / tv location works including the film Green Street.
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• #128
big exhibition near ladbroke grove at the mo http://mutatebritain.wordpress.com/
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• #129
www.desynz.de
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• #130
big exhibition near ladbroke grove at the mo http://mutatebritain.wordpress.com/
thinking o pop in on saturday mutate britain.
has anyone been? -
• #131
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• #132
shit the bed
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• #133
thinking o pop in on saturday mutate britain.
has anyone been?No but going tomorrow. Video showing some of the stuff here:
YouTube- Mutate Britain: Amazing Street Art NOW OPEN DURING DECEMBER
Looks like it would be better after dark.
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• #134
im all for the legal stuff and these "street art" exhibitions but theres nothing better than standing at the station and seeing a fresh burner pull in(only happened 3 times to me) or seeing fresh trackside stuff.
i fucking love graff. -
• #135
cheers bud, saturday night it is then.
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• #136
My old housemate xenz
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• #137
im all for the legal stuff and these "street art" exhibitions but theres nothing better than standing at the station and seeing a fresh burner pull in(only happened 3 times to me) or seeing fresh trackside stuff.
i fucking love graff.Imagine living in NYC in the late 70's when every train was painted, I would have been happy to sit at a station all day watching trains roll in and out
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• #138
there used to be loads in liverpool with dope question marks next to them and there is still a pretty big but faded outline by fort knox
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• #139
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• #140
have been a longtime admirer of wk's work, especially his street art
http://www.wkinteract.com/ -
• #141
I remember these two Swet and Zomby were the shit
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• #142
Zomby's still graffing as far as I've seen ;)
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• #143
Yeah mostly legal stuff these days and t-shirts. His characters were to sick.
Writers Delight have got pics of all the stuff in London, old and recent. Plus a lot of interviews with writers and black book pictures etc....
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• #144
Imagine living in NYC in the late 70's when every train was painted, I would have been happy to sit at a station all day watching trains roll in and out
i know :)
its not like nothings getting done coz a lot of stuff is but trains are getting buffed before they even leave the lay-up or depot. southwest trains have a zero tolerance policy so not much is rolling. but i think it would be better for everyone to ease up a bit on the buff. less money spent on cleaning, brightens up the morning, writers see stuff burning, its all good. -
• #145
5 Points:
http://www.londonfgss.com/attachment.php?attachmentid=19253&d=1261420051
http://www.londonfgss.com/attachment.php?attachmentid=19254&d=1261420110
http://www.londonfgss.com/attachment.php?attachmentid=19255&d=1261420154
http://www.londonfgss.com/attachment.php?attachmentid=19256&d=1261420205
4 Attachments
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• #146
i know :)
its not like nothings getting done coz a lot of stuff is but trains are getting buffed before they even leave the lay-up or depot. southwest trains have a zero tolerance policy so not much is rolling. but i think it would be better for everyone to ease up a bit on the buff. less money spent on cleaning, brightens up the morning, writers see stuff burning, its all good.Tell me about it, that bloody 'broken window' theory in action once again. I'm still pretty baffled as to the reasoning behind the criminalisation of graffiti, when it first came about it was kids wanting to decorate their surroundings. I can understand that not everyone likes or appreciates it but I still don't see how it actively negatively impinges on anyone else. In Italy, or at least Roma, there's a lot higher tolerance towards graffiti which means artists get to spend a lot more time creating nicer pieces as opposed to the quicker bombing style throwups and tags due to fear of being caught. I spent every tram journey in Roma glued to the window watching hundreds of pieces go by, some obviously quite old too, which was nice to see. From what the locals told me, if it's any good then it's pretty unlikely it'll get removed.
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• #147
theres a few known tags round liverpool and a dead faded dub
A lot of the commonly seen stuff in Liverpool was done by Stock. Nice bloke but in my honest opinion it didn't develop much whilst I was there. He seemed to have a bit of a hold over the cities best spots.
Andy Seize anyone?
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• #149
Tell me about it, that bloody 'broken window' theory in action once again. I'm still pretty baffled as to the reasoning behind the criminalisation of graffiti, when it first came about it was kids wanting to decorate their surroundings. I can understand that not everyone likes or appreciates it but I still don't see how it actively negatively impinges on anyone else. In Italy, or at least Roma, there's a lot higher tolerance towards graffiti which means artists get to spend a lot more time creating nicer pieces as opposed to the quicker bombing style throwups and tags due to fear of being caught. I spent every tram journey in Roma glued to the window watching hundreds of pieces go by, some obviously quite old too, which was nice to see. From what the locals told me, if it's any good then it's pretty unlikely it'll get removed.
yeah some people i know went to paris and said that it was fucking amazing, just like london except everything better. better dubs with longer time taken, steel running, better handstyles and of course the "euro style" .
but some good stuff has come out of having a short time period to paint in, harder to reach plots and definitely BLOCKBUSTERS. there areny many blockies on br lines. -
• #150
More 5 points:
6 Attachments
again Blu
http://www.youtube.com/watch?v=uuGaqLT-gO4