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  • There's quite a few examples where a producer have completely changed the sound of a band, can't think of any at the top of my head now though (shamed)

    Trevor Horn & Frankie Goes to Hollywood?

    I love a really polished production job, Not of the "give it lots of autotune" variety, but things like really intricate arrangements, attention to detail, and productions that really get the best out of a song. Trevor Horn's 80s stuff is right up there with the best - Propaganda's 'A Secret Wish' has been a firm favourite of mine since it came out.
    Other albums that exemplify that approach are Gerry Rafferty's 'City to City', Matthew Sweet's 'Girlfriend', Fair's 'Best Worst Case Scenario', Blondie's 'Eat to the Beat', Blur's 'Parklife' and the Sunday's 'Goodbye'. And I cannot imagine there is anything you can do to improve upon Matthew Sweet's 'Ultrasuede' or Midlake's 'Head Home'

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