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My god kid put this together, it’s a real banger
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Happy Friday kids 👌
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An old friend has put together a compilation which may be of interest, Bleeps, Breaks + Bass
At the turn of the ‘90s, British dance music gave birth to two interconnected styles that put heavy sub-bass front and centre: bleep techno and breakbeat hardcore. Such was their popularity that the styles inspired countless imitations and mutations, both within the UK and far beyond.
This is the story told in a major new retrospective from Mental Groove & Musique Pour La Danse, Bleeps, Breaks + Bass, a carefully curated and well-informed collection of rare and sought-after tracks from the early ‘90s selected by label founders Olivier Ducret with help from Eric Bunkerheadz Hart. Available on two limited-edition double LPs (each presented in heavy cardboard gatefold sleeves on 180g, half speed-mastered vinyl), compact disc and digital download, Bleeps, Breaks + Bass features artwork by legendary graphic designer Trevor Jackson and extensive liner notes from dance music historian Matt Anniss, author of the acclaimed book Join The Future: Bleep Techno and the Birth of British Bass Music.
A quick glance at the track listing will confirm the depth and variety of Bunkerheadz and Ducret’s selections, which largely sidestep celebrated anthems in favour of overlooked gems, deeper cuts and genuine rarities – all of which have been re-mastered by legendary bleep producer and engineer Rob Gordon (Forgemasters, Xon, co-founder of Warp Recordss) and half-speed mastered/cut by Sidney Meier at Emil Berliner Studios.
Across the collection you’ll find lesser-celebrated gems from significant figures in the scene (Unique 3’s long-overlooked ‘Digicality’, rare tracks from 4 Hero side projects R-Solution and Tek9); surprise bass-heavy excursions from popular outfits of the period (A Man Called Adam, A Certain Ratio and The KLF’s ‘What Time Is Love’ as remixed by The Moody Boys); significant but frequently forgotten underground anthems (outings from Boneshakerz, Hypersonic, Ubik and KCC); secret weapons (Three Sons, Heychild, Techno Excursion); and even a sub-heavy classic from Norwegian ambient legend Biosphere. It all adds up to a significant celebration of one of the most fertile periods in the development of dance music with bleeps, breaks and bass.
WE WILL HAVE EXCLUSIVE LIMITED RAVE MERCHANDISING DESIGNED BY TREVOR JACKSON IN THE NEXT DAYS. STAY TUNEDPart 1
1.
The Scientist - Spiral Symphony (The Sample Me Mix) 03:03
2.
KCC - Def Con Bass 04:33
3.
R. Solution - Blowing My Mind 04:05
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Biosphere - Baby Satellite 05:07
5.
ACR - Spirit Dance 05:38
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A Man Called Adam - Midievil (The Inquisition) 06:47
7.
Unique 3 - Digicality 04:49
8.
Hypersonic - Dance Tones (Tekno Mix) 05:28
9.
Heychild - Heychild Theme 06:10Part 2
1.
Terra Incognita - Alien Element (UK Mix) 04:27
2.
Tek 9 - Space 91 03:13
3.
Boneshakers - Don't Go Away (Original Mix) 03:39
4.
Ubik - Bass Generation 06:03
5.
Break The Limits - Drums Of Freedom 06:42
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Techno Excursion - Come With Me 06:02
7.
Trak 1 - For This II 04:26
8.
Three Sons - First Step 04:04
9.
KLF - What Time Is Love? (KLF vs The Moody Boys Mix) 07:36 -
Thanks James. Looks good.
Bit of Friday classic piano
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Ooh thanks. Probably an era / age thing but had forgotten how huge this was at the time:
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Love this track
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These are great. I’d never heard of it before. Good stuff.
Sad news today that Top Buzz has passed away. RAVE IN PEACE.
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Man Parris was shit. Mad P was Top Buzz's MC
https://youtube.com/watch?v=usekmMBhP64&feature=share
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I used to really hate Magika he was a shit MC and a fucking idiot I've no idea why he was popular with the promoters he managed to get himself involved with everything.
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I looked this up as the MC'ing at this event was good - limited. You can get a flavour from the video, but I also see that all the sets are up to listen back to. The Adrian H set was a BANGER.
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Never heard of him but just found him spoiling an otherwise very good Sasha Renaissance set
eskay
marcomarcos
EB
dancing james
J0nathan
hippy
Retro_Bastard-
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