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What did you mean by ‘good light’? If you want something for dull-but-even light Provia could work. I’ve only ever shot it rebranded and 35mm. Like other slide film I usually shoot it 2 or 3 stops faster than I would negative colour film in the same situation. I don’t mind areas of black/zero detail. It’s not ideal at all in high-contrast situations but you can kinda hustle it at night ... if you’re ok with the 90s NME photo shoot look lolz.
miro_o-
What did you mean by ‘good light’? If you want something for dull-but-even light Provia could work. I’ve only ever shot it rebranded and 35mm. Like other slide film I usually shoot it 2 or 3 stops faster than I would negative colour film in the same situation. I don’t mind areas of black/zero detail. It’s not ideal at all in high-contrast situations but you can kinda hustle it at night ... if you’re ok with the 90s NME photo shoot look lolz.
Yup, flat dull light, late afternoons in winter. I've heard you can push Provia up to 400ISO, does it stretch out to 800ISO ok ?
Ste_S
The 35mm version of it is apparently Kodak Ultramax 800, so I presume the 120 version is similar. I have a soft spot for the Gold/Procolor/Ultramax (whatever it's called this week) range, especially with reds.
Cinestill is out as like Portra 800 it's near enough double the price of other 120 films