Yeah it's weird actually - something called a Syncromatic, which I guess was a Korean-made precursor to those Electromatics which're everywhere these days. Either way, SPARKLY STUFF OF AWESOME.
Incidentally, I used to make dnb and there's a lot to be said for having proper big monitors in that situation, but writing acoustic stuff I've never really needed more than my trusty Fostex PM0.4s - mixed my whole record down on that and it sounds fine, no weird bumps anywhere in the EQ range. Adams are excellent monitors, and seem to be de rigeur in the dnb world at the moment (cheaper and better than anything else in the class) but I'm not sure you need to spend that much for the type of stuff we both make. Your call tho. I bet they'll sound great.
Yeah it's weird actually - something called a Syncromatic, which I guess was a Korean-made precursor to those Electromatics which're everywhere these days. Either way, SPARKLY STUFF OF AWESOME.
Incidentally, I used to make dnb and there's a lot to be said for having proper big monitors in that situation, but writing acoustic stuff I've never really needed more than my trusty Fostex PM0.4s - mixed my whole record down on that and it sounds fine, no weird bumps anywhere in the EQ range. Adams are excellent monitors, and seem to be de rigeur in the dnb world at the moment (cheaper and better than anything else in the class) but I'm not sure you need to spend that much for the type of stuff we both make. Your call tho. I bet they'll sound great.