An interesting question. I am also interested in old cars, and the collector-car industry is realizing that anyone with enough cash can restore something to as-new, but there is a finite pool of `survivor' unrestored examples. As the New York Times put it:
`AMONG the rows of gleaming classics at collector car exhibitions like the Pebble Beach Concours d’Élégance, a few clusters of vehicles seem decidedly out of place. These cars are not white-glove spotless, and they lack the perfect paint, flawless upholstery and brilliant chrome seen on almost every other vehicle awaiting the judges’ inspection.
Entries in so-called preservation classes, these cars are shown with a patina that tells a story of decades of service, their faded finishes, worn seats, stone chips and rust specks verifying their biographies. Valued for their originality and historical significance, not for the quality of a restoration, they present the wizened, character-laden faces of survivors rather than the unlined Botoxed perfection of aging starlets with plastic surgeons on speed dial.
Unrestored cars may not be the headline-making winners of best-in-show awards, but preservation classes are increasingly a feature of concours events, and collectors are recognizing their special status by driving up their prices.' http://www.nytimes.com/2012/10/07/automobiles/collectibles/preserving-classics-wrinkles-and-all.html?pagewanted=all&_r=0
An interesting question. I am also interested in old cars, and the collector-car industry is realizing that anyone with enough cash can restore something to as-new, but there is a finite pool of `survivor' unrestored examples. As the New York Times put it:
`AMONG the rows of gleaming classics at collector car exhibitions like the Pebble Beach Concours d’Élégance, a few clusters of vehicles seem decidedly out of place. These cars are not white-glove spotless, and they lack the perfect paint, flawless upholstery and brilliant chrome seen on almost every other vehicle awaiting the judges’ inspection.
Entries in so-called preservation classes, these cars are shown with a patina that tells a story of decades of service, their faded finishes, worn seats, stone chips and rust specks verifying their biographies. Valued for their originality and historical significance, not for the quality of a restoration, they present the wizened, character-laden faces of survivors rather than the unlined Botoxed perfection of aging starlets with plastic surgeons on speed dial.
Unrestored cars may not be the headline-making winners of best-in-show awards, but preservation classes are increasingly a feature of concours events, and collectors are recognizing their special status by driving up their prices.'
http://www.nytimes.com/2012/10/07/automobiles/collectibles/preserving-classics-wrinkles-and-all.html?pagewanted=all&_r=0
tl;dr; Very nice Roberts btw....