Anderson, C. (2009) The Longer Long Tail, Random House Books, London Anderson, C. (2010) Free, Random House Books, London Andrews, R. (2009) Spotify now making universal more money than iTunes, in Sweden, The Guardian (online) 26/08/2009, available at: http://www.guardian.co.uk/media/pda/2009/aug/26/spotify-digital-media (accessed 17/10/2011) Apple (2011) iPod+iTunes timeline (online) available at: http://www.apple.com/pr/products/ipodhistory/ (accessed 31/10/2011) Arnold, P. W. (2011) Powaful Impak! The 10 Most Powerful Videos In Hip Hop History Part One (online) available at: http://www.hiphopdx.com/index/editorials/id.1806/title.powaful-impak-the-10-most-powerful-videos-in-hip-hop-history-part-one (accessed 2/12/2011) Avery, R. J. Ferraro, R. (2000) Verisimilitude or advertising? Brand appearances on primetime television, The Journal of Consumer Affairs, 34(2) p. 217-244. Bain (2011) Publishing in the Digital Era report, Bain Baldwin, L. Mizerski, R. (1985) An Experimental Investigation Concerning The Comparative Influence Of MTV And Radio On Consumer Market Responses To New Music, Advances in Consumer Research, 12(1) p. 476-81 Barnett, E. (2009) YouTube music industry video agreement is 'a landmark deal', The Telegraph (online) 2/9/2009, available at: http://www.telegraph.co.uk/technology/google/6128362/YouTube-music-industry-video-deal-is-a-landmark-deal.html (accessed 2/11/2011) Barnett, M. (2011) Online Music Needs a Personal Touch, Marketing Week (Online) 4/10/2011, available at: http://www.marketingweek.co.uk/disciplines/data-strategy/online-music-needs-a-personal-touch/3030663.article (accessed 17/10/11) BBC (2011) Economy Tracker (online) available at: http://www.bbc.co.uk/news/10613201 (accessed 18/1/2012) Beer, D. (2006) The Pop-Pickers Have Picked Decentralised Media: the Fall of Top of the Pops and the Rise of the Second Media Age, Sociological Research Online, 11(3)
Beer, D. (2008) The Iconic Interface and the Veneer of Simplicity: MP3 players and the reconfiguration of music collecting and reproduction practices in the digital age, Information, Communication & Society, 11(1) p.71-88 Billboard (2011) 2010 Year End Charts (online) available at: http://www.billboard.biz/bbbiz/charts/yearendcharts/2010/artists (accessed 5/11/2011) Boyd, B. (2011) Dre's got the beat - just don't bother him about the music, The Irish Times, (online) 11/11/2011, available at: http://www.irishtimes.com/newspaper/theticket/2011/1111/1224307342492.html (accessed 5/12/2011) BPI (2008) Digital Music – Q3 Update (online) available at: http://www.bpi.co.uk/assets/_private_/TNS_Digital%20Demographics_Oct%2008.pdf (accessed 8/1/2012) BPI (2010) Digital Music Nation 2010 (online) available at: http://www.bpi.co.uk/assets/files/Digital%20Music%20Nation%202010.pdf (accessed 2/12/2011) Breakenridge, D. (2008) PR 2.0, FT Press, New Jersey Bush, R. P. Hair Jr, J. F. Ortinau, D. J. (2006) Marketing Research Within a Changing Environment, McGraw-Hill Irwin, London Carr, A. (2010) The State of Internet Music on YouTube, Pandora, iTunes, and Facebook, Fast Company (online) 20/07/2010, available at: http://www.fastcompany.com/1672447/the-state-of-internet-music-on-youtube-pandora-itunes-and-facebook (accessed 2/11/2011) Cochrane, G. (2010) Concert promoters pilot 'smart-chip' digital tickets BBC (online) 25/3/2010 available at: http://www.bbc.co.uk/newsbeat/10072560 (accessed 18/1/2012) Connolly, M & Kreuger, A. B. (2006) Rockonomics: The Economics of Popular Music Handbook of the Economics of Art and Culture, 20 p. 667–719 Danaher, B. Dhanasobhon, S. Smith, M. D. Telang, R. (2010) Converting Pirates Without Cannibalizing Purchasers: The Impact of Digital Distribution on Physical Sales and Internet Piracy, Marketing Science, 29(6) p.1138-1151 Dobele, A. Toleman, D. Beverland, M. (2005) Controlled infection! Spreading the brand message through viral marketing, Business Horizons, 48(2), p.143-149 Dumenco, S. (2012) Is OK Go's Chevy-Sponsored Music Video One of the Best Product Placements Ever? (online) available at: http://adage.com/article/special-report-super-bowl/triumphs-chevy-sponsored-music-video/232556/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+AdvertisingAge%2FTheMediaGuy+%28Advertising+Age+-+The+Media+Guy%29 (accessed 7/2/2012) Englis, B. G. (1991) Music Television and Its Influences on Consumers, Consumer Culture, and the Transmission of Consumption Messages, Advances in Consumer Research, 18(1) p. 111-14 Fishbein, M. & Ajzen, I.(1975) Belief, attitude, intention, and behaviour : an introduction to theory and research, Addison-Wesley, Reading Fishbein, M. & Ajzen, I. (1980) Understanding attitudes and predicting social behaviour, Prentice-Hall, New Jersey Gallaugher, J. M. (2002) E-Commerce and the Undulating Distribution Channel, Communications of the ACM, 45(7) p.89-95 Garside, J. (2011) Digital jukebox Spotify on track to report modest first profit, The Guardian (online) 28/08/2011 available at: http://www.guardian.co.uk/technology/2011/aug/28/spotify-on-track-first-profit (accessed 18/10/2011) Ghauri, P. Gronhaug, K (2010) Research Methods in Business Studies, Pearson, Harlow Gladwell, M. (2001) The Tipping Point, Little Brown, London Goel, S. Meising, P. Chandra, U. (2010) The Impact of Illegal Peer-to-Peer File Sharing on the Media Industry, California Management Review, 52(3) p.6-33 Greenburg, Z. M. (2012) Music Money Roundup: Rising Album Sales, Strong Concert Revenues And More, Forbes, (online) 6/1/2012 available at: http://www.forbes.com/sites/zackomalleygreenburg/2012/01/06/music-money-roundup-rising-album-sales-strong-concert-revenues-and-more/ (accessed 7/1/2012) Herrera, M. (2009) Boy Meets ‘World’, Billboard, 7/25/2009 Hoorebeek, M. V. (2003) Napster Clones Turn Their Attention to e-books, New Library World, 104: 4/5 iTunes (2011) iPod + iTunes Timeline (online) available at: http://www.apple.com/pr/products/ipodhistory/ (accessed 1/11/2011) Jobs, S. (2007) Thoughts on Music (online) available at: http://www.apple.com/uk/hotnews/thoughtsonmusic/ (accessed 2/11/2011) Karrh, J. A. (1998) Brand placement: A review, Journal of Current Issues and Research in Advertising, 20, p. 31–49 Knopper, S. (2009) Appetite for Self-Destruction, Simon and Schuster, London Ko, D. Yuen, S. Y. V. (2010) Online Word Of Mouth And Consumer Purchase Intentions, International Journal of Advertising, 29(5), p. 687–708 Larkin, F. (2011) The Power of Product Placement in Music Videos: “Pass the Courvoisier” (online) available at: http://www.behindthespin.com/features/the-power-of-product-placement-in-music-videos-pass-the-courvoisier (accessed 2/12/2011) Lichtman, D. (2006), “Defusing DRM,” Olin Working Paper No. 282, The University of Chicago Law School Liebowitz, S. J. (2006) File-Sharing: Creative Destruction or just Plain Destruction? Journal of Law and Economics 49 p. 1-28 Live Nation (2010) Investor and Analyst Day (online) available at: http://phx.corporate-ir.net/External.File?item=UGFyZW50SUQ9NTM4Nzh8Q2hpbGRJRD0tMXxUeXBlPTM=&t=1 (accessed 18/1/2012) MacManus, R. (2011) Top 10 YouTube Videos of All Time (online) available at: http://www.readwriteweb.com/archives/top_10_youtube_videos_of_all_time.php (accessed 5/11/2011) Martin, A. J. (2011) Headphones With Swagger (and Lots of Bass), The New York Times (online) 19/11/2011 available at: http://www.nytimes.com/2011/11/20/business/beats-headphones-expand-dr-dres-business-world.html (accessed 3/12/2011) Masnick, M. (2009) How the record labels spurned the YouTube opportunity, The Telegraph (online) 17/12/2009 available at: http://www.telegraph.co.uk/technology/google/6832196/How-the-record-labels-spurned-the-YouTube-opportunity.html (accessed 2/11/2011) Mortimer, J. H. Nosko, C. Sorensen, A. (2010) Supply Responses to Digital Distribution: Recorded Music and Live Performance, Working Paper Nielsen (2011) Digital music consumption and digital music access report, Midem Oberholzer-Gee, F. & Strumpf, K. (2007) The Effect of File Sharing on Record Sales: An Empirical Analysis, Journal of Political economy, 115(1) p.1-42 Ofcom (2011) UK Adults’ Media Literacy (online) available at: http://stakeholders.ofcom.org.uk/binaries/research/media-literacy/media-lit11/Adults.pdf (accessed 13/10/11) O’Reilly, L. (2011) We7 explores interactive content to attract users and advertisers, Marketing Week (online) 11/11/2011 available online at: http://www.marketingweek.co.uk/disciplines/digital/we7-explores-interactive-content-to-attract-users-and-advertisers/3031808.article Peoples, G. (2011) Business Matters: If iTunes Is Still Breaking Even, It Could Cost $1.3 Billion Per Year To Run, Billboard (online) 14/06/2011, available at: http://www.billboard.biz/bbbiz/digital-and-mobile/business-matters-if-itunes-is-still-breaking-1005230542.story (accessed 17/10/11) Peoples, G. (2009) Business Matters: Another Indie Sours on Streaming Services, But How Solid Is the Math? Billboard (online) 28/09/2011, available at: http://www.billboard.biz/bbbiz/industry/digital-and-mobile/business-matters-another-indie-sours-on-1005376542.story (accessed 17/10/11) Pietz, M. Waelbroeck, P. (2006) Why the music industry may gain from free downloading — The role of sampling, International Journal of Industrial Organization, 24(5) p. 907-913 Railton, D. The Gendered Carnival of Pop, Popular Music 20(3) p. 321-331 Schulz, M. (2009), “Live Performance, Copyright and the Future of the Music Business,” University of Richmond Law Review, 43(2), p.685–764. Schwartz, K. D. Fouts, G. T. (2003) Music Preferences, Personality Style, and Developmental Issues of Adolescents, Journal of Youth and Adolescence, 32(3) p. 205–213 Seabrook, J. (2009) The Price of the Ticket The New Yorker 10/08/2009 Sinha, R. K. Machado, F. S. Sellman, C. (2010) Don’t Think Twice, It’s All Right: Music Piracy and Pricing in a DRM Free Environment, Journal of Marketing, 74 p.40-54 Sisario, B. (2012a) Full Album Sales Showed a Little Growth in 2011, The New York Times (online) 4/1/2012 available at: http://www.nytimes.com/2012/01/05/business/media/complete-album-sales-showed-slight-growth-in-2011.html (accessed 21/1/2012) Sisario, B. (2012b) Concert Revenue Was Up in 2011, Led by U2, The New York Times (online) 5/1/2012 available at: http://mediadecoder.blogs.nytimes.com/2012/01/05/concert-revenue-was-up-in-2011-led-by-u2/ (accessed 8/1/2012) Springfield, R. (2012a) Music, surveys and university dissertations (online) available at: http://www.youtube.com/watch?feature=player_embedded&v=XZLBlV80Nts (accessed 11/1/2012) Springfield, R. (2012b) A message from Rowan (online) available at: http://youtu.be/N6zZxXufwWc (accessed 16/1/2012) Team, T. (2011) Spotify and Facebook Could Take Bite out if iTunes, Forbes (online) 28/9/2011 available at: http://www.forbes.com/sites/greatspeculations/2011/09/28/spotify-and-facebook-could-take-a-bite-out-of-itunes/ (accessed 17/10/2011) The Museum Of Broadcast Communications (2012) Top of The Pops (online) available at: http://www.museum.tv /archives/etv/T/htmlT/topofthepo/ toppfthepo.htm accessed 21/1/2012 The Telegraph (2012) OK Go premiere elaborate new music video during Super Bowl (online) 2/2/2012 available at: http://www.telegraph.co.uk/culture/music/music-news/9064293/OK-Go-premiere-elaborate-new-music-video-during-Super-Bowl.html (accessed 7/2/2012) Thes One (2011) Thes One Speaks on Making Album Releases an Event Again, Why Artists Should Not Use Spotify & Wonderful Radio (online) available at: http://kevinnottingham.com/2011/10/18/thes-one-speaks-on-making-album-releases-an-event-again-why-artists-should-not-use-spotify-wonderful-radio/ (accessed 2/11/2011) Thomas, L. (2010) ITV has dumbed down and appeals to 'lowest common denominator' say its bosses (online) available at: http://www.dailymail.co.uk/tvshowbiz/article-1325962/ITV-dumbed-appeals-lowest-common-denominator-say-bosses.html#ixzz1khS41wW2 (accessed 21/1/2012) Watts, D. J. Peretti, J. 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(2006) Measuring the Effect of File Sharing on Music Purchases, Journal of Law and Economics, 49 p. 63–90.
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Anderson, C. (2009) The Longer Long Tail, Random House Books, London
Anderson, C. (2010) Free, Random House Books, London
Andrews, R. (2009) Spotify now making universal more money than iTunes, in Sweden, The Guardian (online) 26/08/2009, available at: http://www.guardian.co.uk/media/pda/2009/aug/26/spotify-digital-media (accessed 17/10/2011)
Apple (2011) iPod+iTunes timeline (online) available at: http://www.apple.com/pr/products/ipodhistory/ (accessed 31/10/2011)
Arnold, P. W. (2011) Powaful Impak! The 10 Most Powerful Videos In Hip Hop History Part One (online) available at: http://www.hiphopdx.com/index/editorials/id.1806/title.powaful-impak-the-10-most-powerful-videos-in-hip-hop-history-part-one (accessed 2/12/2011)
Avery, R. J. Ferraro, R. (2000) Verisimilitude or advertising? Brand appearances on primetime television, The Journal of Consumer Affairs, 34(2) p. 217-244.
Bain (2011) Publishing in the Digital Era report, Bain
Baldwin, L. Mizerski, R. (1985) An Experimental Investigation Concerning The Comparative Influence Of MTV And Radio On Consumer Market Responses To New Music, Advances in Consumer Research, 12(1) p. 476-81
Barnett, E. (2009) YouTube music industry video agreement is 'a landmark deal', The Telegraph (online) 2/9/2009, available at: http://www.telegraph.co.uk/technology/google/6128362/YouTube-music-industry-video-deal-is-a-landmark-deal.html (accessed 2/11/2011)
Barnett, M. (2011) Online Music Needs a Personal Touch, Marketing Week (Online) 4/10/2011, available at: http://www.marketingweek.co.uk/disciplines/data-strategy/online-music-needs-a-personal-touch/3030663.article (accessed 17/10/11)
BBC (2011) Economy Tracker (online) available at: http://www.bbc.co.uk/news/10613201 (accessed 18/1/2012)
Beer, D. (2006) The Pop-Pickers Have Picked Decentralised Media: the Fall of Top of the Pops and the Rise of the Second Media Age, Sociological Research Online, 11(3)
Beer, D. (2008) The Iconic Interface and the Veneer of Simplicity: MP3 players and the reconfiguration of music collecting and reproduction practices in the digital age, Information, Communication & Society, 11(1) p.71-88
Billboard (2011) 2010 Year End Charts (online) available at: http://www.billboard.biz/bbbiz/charts/yearendcharts/2010/artists (accessed 5/11/2011)
Boyd, B. (2011) Dre's got the beat - just don't bother him about the music, The Irish Times, (online) 11/11/2011, available at: http://www.irishtimes.com/newspaper/theticket/2011/1111/1224307342492.html (accessed 5/12/2011)
BPI (2008) Digital Music – Q3 Update (online) available at: http://www.bpi.co.uk/assets/_private_/TNS_Digital%20Demographics_Oct%2008.pdf (accessed 8/1/2012)
BPI (2010) Digital Music Nation 2010 (online) available at: http://www.bpi.co.uk/assets/files/Digital%20Music%20Nation%202010.pdf (accessed 2/12/2011)
Breakenridge, D. (2008) PR 2.0, FT Press, New Jersey
Bush, R. P. Hair Jr, J. F. Ortinau, D. J. (2006) Marketing Research Within a Changing Environment, McGraw-Hill Irwin, London
Carr, A. (2010) The State of Internet Music on YouTube, Pandora, iTunes, and Facebook, Fast Company (online) 20/07/2010, available at: http://www.fastcompany.com/1672447/the-state-of-internet-music-on-youtube-pandora-itunes-and-facebook (accessed 2/11/2011)
Cochrane, G. (2010) Concert promoters pilot 'smart-chip' digital tickets BBC (online) 25/3/2010 available at: http://www.bbc.co.uk/newsbeat/10072560 (accessed 18/1/2012)
Connolly, M & Kreuger, A. B. (2006) Rockonomics: The Economics of Popular Music Handbook of the Economics of Art and Culture, 20 p. 667–719
Danaher, B. Dhanasobhon, S. Smith, M. D. Telang, R. (2010) Converting Pirates Without Cannibalizing Purchasers: The Impact of Digital Distribution on Physical Sales and Internet Piracy, Marketing Science, 29(6) p.1138-1151
Dobele, A. Toleman, D. Beverland, M. (2005) Controlled infection! Spreading the brand message through viral marketing, Business Horizons, 48(2), p.143-149
Dumenco, S. (2012) Is OK Go's Chevy-Sponsored Music Video One of the Best Product Placements Ever? (online) available at: http://adage.com/article/special-report-super-bowl/triumphs-chevy-sponsored-music-video/232556/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+AdvertisingAge%2FTheMediaGuy+%28Advertising+Age+-+The+Media+Guy%29 (accessed 7/2/2012)
Englis, B. G. (1991) Music Television and Its Influences on Consumers, Consumer Culture, and the Transmission of Consumption Messages, Advances in Consumer Research, 18(1) p. 111-14
Fishbein, M. & Ajzen, I.(1975) Belief, attitude, intention, and behaviour : an introduction to theory and research, Addison-Wesley, Reading
Fishbein, M. & Ajzen, I. (1980) Understanding attitudes and predicting social behaviour, Prentice-Hall, New Jersey
Gallaugher, J. M. (2002) E-Commerce and the Undulating Distribution Channel, Communications of the ACM, 45(7) p.89-95
Garside, J. (2011) Digital jukebox Spotify on track to report modest first profit, The Guardian (online) 28/08/2011 available at: http://www.guardian.co.uk/technology/2011/aug/28/spotify-on-track-first-profit (accessed 18/10/2011)
Ghauri, P. Gronhaug, K (2010) Research Methods in Business Studies, Pearson, Harlow
Gladwell, M. (2001) The Tipping Point, Little Brown, London
Goel, S. Meising, P. Chandra, U. (2010) The Impact of Illegal Peer-to-Peer File Sharing on the Media Industry, California Management Review, 52(3) p.6-33
Greenburg, Z. M. (2012) Music Money Roundup: Rising Album Sales, Strong Concert Revenues And More, Forbes, (online) 6/1/2012 available at: http://www.forbes.com/sites/zackomalleygreenburg/2012/01/06/music-money-roundup-rising-album-sales-strong-concert-revenues-and-more/ (accessed 7/1/2012)
Herrera, M. (2009) Boy Meets ‘World’, Billboard, 7/25/2009
Hoorebeek, M. V. (2003) Napster Clones Turn Their Attention to e-books, New Library World, 104: 4/5
iTunes (2011) iPod + iTunes Timeline (online) available at: http://www.apple.com/pr/products/ipodhistory/ (accessed 1/11/2011)
Jobs, S. (2007) Thoughts on Music (online) available at: http://www.apple.com/uk/hotnews/thoughtsonmusic/ (accessed 2/11/2011)
Karrh, J. A. (1998) Brand placement: A review, Journal of Current Issues and Research in Advertising, 20, p. 31–49
Knopper, S. (2009) Appetite for Self-Destruction, Simon and Schuster, London
Ko, D. Yuen, S. Y. V. (2010) Online Word Of Mouth And Consumer Purchase Intentions, International Journal of Advertising, 29(5), p. 687–708
Larkin, F. (2011) The Power of Product Placement in Music Videos: “Pass the Courvoisier” (online) available at: http://www.behindthespin.com/features/the-power-of-product-placement-in-music-videos-pass-the-courvoisier (accessed 2/12/2011)
Lichtman, D. (2006), “Defusing DRM,” Olin Working Paper No. 282, The University of Chicago Law School
Liebowitz, S. J. (2006) File-Sharing: Creative Destruction or just Plain Destruction? Journal of Law and Economics 49 p. 1-28
Live Nation (2010) Investor and Analyst Day (online) available at: http://phx.corporate-ir.net/External.File?item=UGFyZW50SUQ9NTM4Nzh8Q2hpbGRJRD0tMXxUeXBlPTM=&t=1 (accessed 18/1/2012)
MacManus, R. (2011) Top 10 YouTube Videos of All Time (online) available at: http://www.readwriteweb.com/archives/top_10_youtube_videos_of_all_time.php (accessed 5/11/2011)
Martin, A. J. (2011) Headphones With Swagger (and Lots of Bass), The New York Times (online) 19/11/2011 available at: http://www.nytimes.com/2011/11/20/business/beats-headphones-expand-dr-dres-business-world.html (accessed 3/12/2011)
Masnick, M. (2009) How the record labels spurned the YouTube opportunity, The Telegraph (online) 17/12/2009 available at: http://www.telegraph.co.uk/technology/google/6832196/How-the-record-labels-spurned-the-YouTube-opportunity.html (accessed 2/11/2011)
Mortimer, J. H. Nosko, C. Sorensen, A. (2010) Supply Responses to Digital Distribution: Recorded Music and Live Performance, Working Paper
Nielsen (2011) Digital music consumption and digital music access report, Midem
Oberholzer-Gee, F. & Strumpf, K. (2007) The Effect of File Sharing on Record Sales: An Empirical Analysis, Journal of Political economy, 115(1) p.1-42
Ofcom (2011) UK Adults’ Media Literacy (online) available at: http://stakeholders.ofcom.org.uk/binaries/research/media-literacy/media-lit11/Adults.pdf (accessed 13/10/11)
O’Reilly, L. (2011) We7 explores interactive content to attract users and advertisers, Marketing Week (online) 11/11/2011 available online at: http://www.marketingweek.co.uk/disciplines/digital/we7-explores-interactive-content-to-attract-users-and-advertisers/3031808.article
Peoples, G. (2011) Business Matters: If iTunes Is Still Breaking Even, It Could Cost $1.3 Billion Per Year To Run, Billboard (online) 14/06/2011, available at: http://www.billboard.biz/bbbiz/digital-and-mobile/business-matters-if-itunes-is-still-breaking-1005230542.story (accessed 17/10/11)
Peoples, G. (2009) Business Matters: Another Indie Sours on Streaming Services, But How Solid Is the Math? Billboard (online) 28/09/2011, available at: http://www.billboard.biz/bbbiz/industry/digital-and-mobile/business-matters-another-indie-sours-on-1005376542.story (accessed 17/10/11)
Pietz, M. Waelbroeck, P. (2006) Why the music industry may gain from free downloading — The role of sampling, International Journal of Industrial Organization, 24(5) p. 907-913
Railton, D. The Gendered Carnival of Pop, Popular Music 20(3) p. 321-331
Schulz, M. (2009), “Live Performance, Copyright and the Future of the Music Business,” University of Richmond Law Review, 43(2), p.685–764.
Schwartz, K. D. Fouts, G. T. (2003) Music Preferences, Personality Style, and Developmental Issues of Adolescents, Journal of Youth and Adolescence, 32(3) p. 205–213
Seabrook, J. (2009) The Price of the Ticket The New Yorker 10/08/2009
Sinha, R. K. Machado, F. S. Sellman, C. (2010) Don’t Think Twice, It’s All Right: Music Piracy and Pricing in a DRM Free Environment, Journal of Marketing, 74 p.40-54
Sisario, B. (2012a) Full Album Sales Showed a Little Growth in 2011, The New York Times (online) 4/1/2012 available at: http://www.nytimes.com/2012/01/05/business/media/complete-album-sales-showed-slight-growth-in-2011.html (accessed 21/1/2012)
Sisario, B. (2012b) Concert Revenue Was Up in 2011, Led by U2, The New York Times (online) 5/1/2012 available at: http://mediadecoder.blogs.nytimes.com/2012/01/05/concert-revenue-was-up-in-2011-led-by-u2/ (accessed 8/1/2012)
Springfield, R. (2012a) Music, surveys and university dissertations (online) available at: http://www.youtube.com/watch?feature=player_embedded&v=XZLBlV80Nts
(accessed 11/1/2012)
Springfield, R. (2012b) A message from Rowan (online) available at: http://youtu.be/N6zZxXufwWc
(accessed 16/1/2012)
Team, T. (2011) Spotify and Facebook Could Take Bite out if iTunes, Forbes (online) 28/9/2011 available at: http://www.forbes.com/sites/greatspeculations/2011/09/28/spotify-and-facebook-could-take-a-bite-out-of-itunes/ (accessed 17/10/2011)
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