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  • Yeah, Struth and Stromberg are the real deal, guess the Bechers' teachings in Dusseldorf are just as evident today as they were in the 80's.
    I do know what you mean when you say "not done anything with it." What you're saying reminds me of something Bernard Toale said:

    There are just a lot of artists today who are all starting to look alike. One of the problems I’m having is distinguishing one artist’s eye from another.
    I don’t know what it means. It means they all went to a good college and they bought good equipment.

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