• see my homepage for my work.
    kino's are o.k i don't use them much, they are available in tungsten or daylight.
    i used to shoot a lot of retail interiors on film and learned to balance the mixed fluro/halogen lighting with a combination of different fld's and 80's and polaroid them to get the best colour, did enough of it to know what combination would work without using a CT meter and the trannies always came back with near neutral whites.
    thankfully it's easier now with a computer which is why young photographers don't have as much knowledge of colour temperature and mired shifts as you don't really need to know all that stuff these days.

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