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• #23327
Think these are on Portra 400 with the Hexar but not 100%...
3 Attachments
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• #23328
Love that second one.
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• #23329
Yeah!
What is that, by the way? -
• #23330
Cheers, it’s this:
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• #23331
Love it, thanks for the link!
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• #23332
Yosemite and Joshua Tree in the snow. Portra 160. Canon EOS 300. Canon 50mm f1.8.
2 Attachments
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• #23333
Gorgeous 🥰
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• #23334
Great shots
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• #23335
Fanks. Trying to get back into shooting more than one roll of film every six months and just getting over the fact that its a little bit expensive right now. Still much cheaper than buying a new full frame camera! (which produces results that I really don't care for...)
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• #23336
Nikon F2 Photomic, Micro-Nikkor 55mm 1:2.8 Ais, Delta 100, PMK 1:2:100 10' 24ºC.
2 Attachments
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• #23337
both very nice 👌
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• #23338
Second one looks like a bomb going off
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• #23339
-thanks
-yes, it's true -
• #23340
Nice shots JB.
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• #23341
Spectacular
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• #23342
Mamiya C330, Mamiya-Sekor 80mm 1:2.8, Kodak Tri-X 400 @200, PMK 1:2:100 11' 24ºC.
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• #23343
PMK
what is this pls? Super diluted?
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• #23344
PMK is the name of the developer - it's also called PMK Pyro and it belongs to the family of pyrogallol developers. It's very toxic unfortunately. Pyrogallol developers are also known as "staining" developers and leave a deposit on the negative which tends to reduce the grain. The chemicals last for years in concentrate and you mix it up when ready to develop. After developing, stopping (must be non-acidic, eg. water) and fixing, you do an optional staining step which involves pouring the spent developer back in the tank and agitating as you would fixer. After that, there's the normal washing step. The 1:2:100 refers to the dilutions as PMK comes in two solutions which can only be mixed when ready to develop. So, 1 part solution A, 2 parts solution B and 100 parts filtered water.
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• #23345
ah nice! I just cant finish this bottle of HC-110, once done I will experiment more
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• #23346
One bad thing about PMK is that you lose a stop with faster film. Eg. Shoot 400 ISO film at 200. Faster films you might not even need to bother but I shoot Ilford FP4 125 @ 100 and Delta 100 @ 80.
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• #23347
tends to reduce the grain
Well, its working. Photos are incredibly grain free.
What are we looking at in that most recent photo? View from inside of a plane?
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• #23348
It's the ramp leading to the base of Brasilia's digital TV tower by Oscar Niemeyer. I took this photo yesterday but I'll attach a print that I took/made a few years ago in more dramatic weather. The full specs are:
Scan of 17.8x24cm Ilford MG FB print. Contax IIa, Carl Zeiss Jena Sonnar 5cm 1:2 collapsible, Ilford Delta 100 @ 80, PMK 1:2:100 10' 24ºC. Leitz Focomat 1c, Schneider Componon-S 2.8/50, Ilford Multigrade.
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• #23349
And another more recent 35mm scan: Leica IIIf, Summicron 5cm 1:2 collapsible, Delta 100 @ 80, PMK 1:2:100 10' 24°C.
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• #23350
fuck me that's some great tones
More dog walks, Olympus XA + Fuji cdu2
5 Attachments