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Production design / art department interests me - done a few basic studio shoots whilst Poldark sets are being built in the studio next door and it fascinates me. And the commercial side of things seems to offer a bit more variety. Did you jump into features and commercials on the production side or the editorial?
S_b
@CYOA
Kind of. Moved from current affairs and docs to features and commercials about 10 years ago. It’s not a big leap in technical production terms from there to high end episodic. But it’s very much a relationship game. I see and often have to book a lot of departments that are very insular in who they work with. But in my experience it’s a ‘once you’re in’, situation as long as you can maintain the interpersonal side of things. Is there a role/department you work in / particularly want to work in?