if you're serious about pro-level work with an apple computer, you don't buy an imac, because the screen is cack for colour work.
buy an IPS screen and a top-line mac mini (this setup at my old work cut many feature films)
or a mac pro if you really need certain I/O
if you're serious about pro-level work with an apple computer, you don't buy an imac, because the screen is cack for colour work.
buy an IPS screen and a top-line mac mini (this setup at my old work cut many feature films)
or a mac pro if you really need certain I/O