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I sometimes use this setup in camera raw - works quite well for a neutral-ish b/w-conversion.
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MisterMikkel
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"Aquas" - oh dear.
@hp93 The trick is don't go too extreme, and be mindful of the original the tones you want to change. Back in the dark room days I used to shoot Delta 3200 pushed to 250000 asa at punk gigs and printed at grade 5, I didn't have to worry about detail in the shadows then as it was all blown out to only black or white, and super grainy.
Dogs
these are really nice, I always struggle with processing black and white with a nice level of shadow detail while still having a good level of contrast! particularly like the first one