You are reading a single comment by @Dramatic_Hammer and its replies. Click here to read the full conversation.
  • That said, the RE20 is so much more fun than my old DD3... That pedal was so lame...

  • Have you played with any of the new DSP delay/verb pedals? My pedal knowledge dropped off around the time the RE-20 came out... I currently just have an EHX DMM but have previously had a couple of the older Boss efforts, an RE-20 and a Line6 DL4. DMM has lasted as it just 'works' live, not sure why I ditched the DL4 (possibly because it's massive) or the RE-20.

  • I've only ever used analogue or tape delays until the last few years, crappy Behringer then the DD3 and now the RE20... The RE20 sounds vintage, it suits what I'm doing so I'm really happy with it... Haven't heard any of the modern stuff, Strymon, TC, etc...

  • I use one of the Strymon pedals an awful lot, the Flint. It's three different types of tremolo and three different reverbs.

    I mostly use it for the spring verb, which is astonishingly accurate - gritty and splashy, both of which I love in a spring. But there are two other absurdly useful verbs on there - one is a solid state verb, very much like the verb Chris Isaac used on all his records, properly epic. The other is a sort of Lexicon - big rich in your face verb with a nice chorus tail, very wet and Vangelis-y.

    It's a total workhorse of a pedal. I've been really impressed by it. I get the impression that the Big Sky is probably a bit of a one trick pony but if the delays are half as good as this pedal, they're worth it.

    If you fancy borrowing it for a few weeks give us a shout dude, I'm not recording anything atm, you'd be most welcome.

About