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salad
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Cheers.
Maybe because I don't really know the film stocks that well, but I find it hard to tell them apart. I shot a few rolls of TMX400 also pushed to 1600 and had to work out which was TMAX and which was HP5 by dating them rather than being able to work it out from the scans.
I've also been looking a lot at Michael Kenna's work recently (shoots on medium format Tri-X mostly) and Paul Hart (shoots on medium format PanF 50) and again can't tell the film stocks apart.
Maybe there just isn't that much of a difference scaled up to a 6x6 neg ?
Ste_S