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  • Sure and sound engineers know the room. If you’re playing decent sized rooms and weren’t told to turn down then you probably had it right.
    On the other hand, a 4x12 is never going be as loud or evenly distributed as a venue PA.

  • Yeah, I don't really like 100w amps for that reason. They're too loud for modern (i.e. digital) rigs. They made a lot of sense back in the 70s when the PAs were just doing your singers voice but things have moved on since then and everyone's backlined now.

  • Yeah and the really big boys are all mic’d offstage with iems and a cab or two on stage for posing/feedback.

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    I’m baffled by the current Fender amp lineup. I want something classic and full sounding that will break up before I go deaf. Any ideas? Nice reverb is a plus...

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