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  • Anyone coming to our gigs wondering why they can't hear much of the guitars would only have done so because htey'd spent the previous night's gig with their head in the cab, and we'd knocked all the audible range from their lugholes.

    Now I think about it, we never had problems like this at proper venues. Places like The Garage, the LAII, the Astoria, fuck, even the Ballroom and the old Falcon understood that bands knew their equipment. You don't spend three or four days in a rehearsal room for six months before going off on tour in order to half arse your sound when you're on it. Only place I was ever told to turn down was at the Southampton Joiners - and that place had a stage that was literally four feet deep, so fuck them - and the Uxfest. And no-one ever got a good sound at the Uxfest, so fuck that guy.

  • Sure and sound engineers know the room. If you’re playing decent sized rooms and weren’t told to turn down then you probably had it right.
    On the other hand, a 4x12 is never going be as loud or evenly distributed as a venue PA.

  • Yeah, I don't really like 100w amps for that reason. They're too loud for modern (i.e. digital) rigs. They made a lot of sense back in the 70s when the PAs were just doing your singers voice but things have moved on since then and everyone's backlined now.

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