• Yeah, that's the riddle! I've been working out how to get the different cuts to register together on paper - not easy! O went from single colour prints straight to a 4 colour effort and I'm well chuffed that it worked!

  • I wonder if, for reductive cuts, you could notch up some sort of registration table. A bit of wood, with a couple of dowels at the top. Then you could drill corresponding holes in the lino, so it always registers perfectly?

    I'm kind of thinking in terms of screen printing, which is what if used to - not sure if you can apply the same principles!

  • I've rigged up a registration system, using metal pins/ pegs and a slim cardboard angle to slide each linocut into for each colour. The card holds each cut in place & the pins ensure the paper can be replaced exactly each time. Seems to work!

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