I put the negs on a lightbox with some card taped to it to keep them flat, and shoot them almost filling the frame with a dslr + old macro lens on a tripod.
Then I invert the curves in lightroom, sharpen them a bit, generally boost the contrast, and fine tune the color balance (manually or with the eye dropper on something grey). I like to take a break between choosing what to keep and finishing them up so I sometimes export them as tiffs after inverting the curves so that all the sliders and everything aren't backwards...
On these I boosted the saturation a bit too but I didn't do much else. I edit the shit out of some things tho.
I do it with a 6 year old (so an ancient relic in camera terms) dslr and an m42 lens from the 70s.
If you want more pixels you can shoot smaller parts of the neg and stitch them together. That's one of the benefits of dslr scans. I don't do it atm but I plan to for 120 from now on.
I put the negs on a lightbox with some card taped to it to keep them flat, and shoot them almost filling the frame with a dslr + old macro lens on a tripod.
Then I invert the curves in lightroom, sharpen them a bit, generally boost the contrast, and fine tune the color balance (manually or with the eye dropper on something grey). I like to take a break between choosing what to keep and finishing them up so I sometimes export them as tiffs after inverting the curves so that all the sliders and everything aren't backwards...
On these I boosted the saturation a bit too but I didn't do much else. I edit the shit out of some things tho.