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• #11752
How much would you be after and did the lcd work fine?
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• #11753
LCD works from memory.
i dont know, whats the goin rate for a broken camera... -
• #11754
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• #11755
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• #11756
These are insane
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• #11757
coming back to E6 after a break for a decade and receiving the negs and looking at them on a lightbox, i realised how utterly gorgeous they can be.
west virginia, somewhere deep in the mountains. fuji velvia 100 (leica m6/35 ASPH)
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• #11758
Lovely shot.
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• #11759
Dairy Queen excitement. Drawing intense inspiration from Stephen Shore in rural america.
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• #11760
Nice. I love the cinematic qualities.
Are chromes a bitch to scan? I've never done it.
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• #11761
Portra 400
(new light-seal material on order – i think it's missing material around the prism that's causing these ghosts)
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• #11762
Kentmere 400 pushed to 1600
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• #11763
Expired Sensia 100 (E6)
More of this kind of thing here:
https://www.instagram.com/mynewcolour/
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• #11764
Great page, bravo everyone!
coming back to E6 after a break for a decade and receiving the negs and looking at them on a lightbox, i realised how utterly gorgeous they can be.
Yea indeed, this doesn't fail to impress me after all these years.
Dairy Queen excitement.
very nice...
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• #11765
.
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• #11766
I scan using an imacon and then do the final colour balance in colorperfect. It's a sod, I won't lie
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• #11767
Well that's a scanner that can handle them I guess.
Anyone want to swap a pile of digital cameras for a Noritsu?
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• #11768
Cinestill. Get the light right and the world is a good place.
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• #11769
Moments in a bar... NYC
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• #11770
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• #11771
Right, I need the help of the hive...
I've been talked into doing a friends wedding. I've done all the "manage expectations" stuff, and I'm confident I can do it, BUT...
Spare Body. Since I'm using a rather ancient DSLR I have no backup body. So I was going to use film for the backup. No problem I thought. I've got a wide range of 35mm cameras, and some of them even use the same lenses, but the newest is 20 years old. So.. then I thought I could use the Mamiya 645 for the formal, posed, photographs. It would look proper professional like. Okay, I've just answered my own question.
I'm just laying out the kit, and starting to think "fuck it", I'll do it all on on the canonet Giii. One camera, one flash, and a tripod.
Worried.
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• #11772
I’ve got some film stock to sell that I’ll offer here first, PM me if you’re interested.
120
10 x Fuji Velvia 50 E6 (old version) (09/2007) - £5 per roll
1 x Ilford FP4 125 £3
2 x Kodak TRi-X 400 B&W (04/2011) £3 per roll135
4 x of Fuji Velvia 50 136 E6 (old version) - £10 per roll
1 x Fuji Superior Extra 800 C41 8 rolls of Ilford Pan F 50 B&W (05/2005) - £2
2 x Ilford Pan F 50 B&W(05/2005) - £3 per roll
1 x Ilford SFX 200 B&W - £5
1 x Ilford XP2 400 C41 (B&W but colour process) - £3
1 x Roll of Kodak Gold Ultra C41 - £3
2 x Ilford Delta 400 B&W - £5 per roll
1 x Ilford Delta 100 B&W (03/2008) - £3
1 x Ilford Delta 3200 B&W - £5
1 x Jessops 200 (probably Kodak) - £1
1 x Jessops pan 100 (probably Kodak) B&W - £1All film has been stored in the freezer since purchase.
I’ve tried to keep it cheaper than The Bay, if I'm way off just let me know.
Collection from Brockley this week or the city next week.
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• #11773
Mint. I've bought a couple of rolls for some night life shots. Only prob is I've realised my gr1s won't work as their lcds are dead. Anyone recommend a good compact I can manually set iso? My Hexar is too big. My Leica too Leica. Contax T2 is the missus' really. Anyone?
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• #11774
Nikon L35AF
(make sure to get one of the newer models that let you choose ISO up to 1000 instead of only 400)
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• #11775
Amazing. Will check it out. Your forum name has me confused. This is the Tina right? We're connected on fb and LinkedIn too? Or am I going mad? I owe you a message if so...
Pm me. Kinda want a bit of cash but I jus don't have the time or the knowledge to even begin a repair project