• It's all self produced/ funded. On the assumption I made something and it sold a single copy or more, what percentage do I say she gets? Would that percentage be variable based on how/how much was used i.e. If I take a small sample versus a reworking of one hers bits?

  • A producer who supplies beats would get 3-5% on a label contract - if she wants money she's better off with an upfront fee.

  • Depends on how much of the track contains her work . Vocals ie song 50% , sampled noises much less ! Offer here a buyout fee if you can afford but if it's a small project share of profits after costs usually. Drafted contract usually makes people feel better but nobody can afford a lawyer anyway . my experience of these being contracts are fucking worthless in the music business !

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