Poems / poetry / verse

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  • cunting bollocks, computer world, dosent work , makes you hurl,
    fucking buttons, slow as shit, makes me want to, smash it

  • I don't need to attack buses anymore. I dont need to
    punch and thrash at their broad red sides, I don't need
    to bruise my knuckles on the glass.
    I don't need to trip on potholes anymore, or drown,
    or lurch around looking for an easier way
    and finding none.
    I don't need to keep all the shells and the coins, or
    pluck out the hairs, or scrub and scrub
    at indelible striations. I don't need to explain to anyone
    that they are indelible.
    I don't need to fold up tightly to save space, or keep
    out the water, or keep out the sand.
    I don't need to stand up any further.

    I don't need straighten out the roads
    or the hedgerows that follow the ditches
    where they all lie, impassive, lost.
    I don't need to mark this moment.
    I don't need to turn the tables round, or tell people
    where to sit, or to sit, or tell people to relax
    and start without me, I don't need to wait,
    I don't need to start. I don't need to relax anymore.

    I don't need to tell the truth anymore. I don't need
    to look so earnestly at all their faces–
    they don't need to know–
    I dont need to watch what I say or be present or
    polite or taciturn or rude, I dont
    need to lie anymore.
    I dont need to scratch until it bleeds anymore,
    I dont need to bleed anymore.
    I don't need to climb the hill with the trees or
    stay there or go home or even look at it.
    I dont need to come down
    from the trees anymore.

  • Wow, that's so full of great images and feeling. It would be amazing read out loud.

    I have to confess, by the end of it I wanted to ask "What DO you need?!" :)

  • I came here to post this but having read your poem William, it seems a bit crass :/

    Still quite amusing - not an obvious post-Baywatch career move... http://www.theguardian.com/books/shortcuts/quiz/2014/jul/11/poet-pamela-anderson-sylvia-plath-quiz

  • ^^Thanks mate. What I DO need are my bikes, and a coffee, and a cigarette.

    Dip a strip of rag in spirit
    Thread it through each link of chain
    Spray black grease over the carpet
    Spray from hours of sticky rain

    Stick black sticks into the ground
    Stretch a canvas overhead
    Scatter ash as your head pounds
    Take off your boots and go to bed.

  • Growing Up

    I've become a lot more like my Mother
    as I've got older. I need less sleep now,
    I wake up before dawn and go down to
    plan my day, listen to the birds and write
    poetry. I work very hard on the
    garden, I do a lot of weeding and
    have developed muscular forearms which
    my girlfriend likes. Recently I've started
    wearing dresses and borrowing Mother's
    car, meeting her friends and going to the
    theatre. I'm much better at keeping
    in touch with people now, I often ask
    my Father round for lunch, we have a drink
    and reminisce about how we first met.

  • Here are a couple I wrote recently:

    About Love

    While we laugh
    And tease
    And play
    I know that there is a day

    A moment when I’ll walrus snore
    Repeat myself become a bore
    And though it hurts to say
    You’ll grow sick of me

    It will come
    As sure as sleep follows wake
    So all I hope for both our sakes
    Is that it’s met with love

    A kindness to see beyond
    But still care
    Still know that I am here
    And you are there

    Next one:

    Some Job

    The hardest job you’ve ever done
    With no retirement and no pay
    And rarely any bloody fun

    But how on earth were you to know?
    What having kids would really mean
    All those sodding years ago

    You did your best to muddle through
    Until you quietly walked away
    Dad, I really do not envy you

  • Nice. I've been working on a similar theme.

    I Think I'll Sleep

    I think I'll sleep on the floor tonight, feel
    the cool floorboards against my cheek and steal
    long glances at the particles of salt
    and grit, the clumps of dust and hair we moult
    that catch the dim lamplight in ways you can
    only see close up. I'll lay down there and
    look sideways through the silhouetted chair
    and table legs, trapping scraps of wall where
    skirting meets the bowed horizon of the
    floor, where our repeating feet pass over
    leaving the wood dark and worn. It will
    be peaceful here, a different space but still,
    I could sleep somewhere else or even, yes,
    the garden, whatever you think is best.

  • I have almost finish a HTML5, CSS3, jQuery, project for my web design portfolio, it's all in Lorem Food Lipsum text, it's a fantastic responsive design with plenty of sections, one of those it's about me and doesn't need to say anything too specific, obviously. All i need is a poem of five to seven/eight lines and it needs to start with Me, myself and I. Any help would be much appreciated.

  • Me, myself and I
    Shout our poems at passers by
    and sing folk songs when we're on our bike
    which is how we know what it is we like
    and if something's wrong, what it is, and why.

  • Perfect
    The more I read it and the less I can stop
    The more I want?
    I myself and me would not be enough
    Singing songs and shouting by it is why.

    x

  • Please forgive I was feeling very down when I wrote this.

    Where the cold wind blows
    Bleak, sometimes I wonder will it end
    A penance yet I wait for divine intervention
    Standing cold waiting for her forgiveness
    Ravaged by a memory for told by a past

    I held beauty I held it in my hand
    A saviour a sinner a lover a kindred
    Drowning in fallen tears I search
    But you can never walk back in time

    Now I see her face once it was her soul
    And I would give my life for one more day
    Crawling on my knees I cross this baron land
    Desperation only leads to desolation

    Stench of burning how I burnt her wings
    And that masquerade could have killed us both
    Children play but there’s no substitute for the heart
    And the my story is, is the tale of the living ghost

    And when that cold wind blows
    The only serenity will be the echo of her name
    And when that angel falls I will burn her once again
    My curse never forsaken my curse I bear

  • Borges.


    1 Attachment

    • image.jpg
  • Sorry for poor quality ^

  • Oh my mental illness
    loving to be cured
    curing is a working progress, a progress of substances
    substances of joy orally injected and swallowed.
    Am I making progress?
    Taking care is my mission
    myself will be better soon
    soon enough for dropping nectar
    for the joy of the zombies I will cure myself
    witnesses of my shadows they will be.
    To be for them is not to be enough
    and being so good on that…
    All together they are killing their useless time
    A time of an era of loss and mental regression
    all wrapped and covered in what will be remembered as
    The New Happy Chemical Smiling Subs Slaves

    Break and infringe with spanks of joy
    really is the only reason why
    to keep myself alive
    instead of
    lie.

    All the rest can fucking die.

  • I like the oddities of your use of English, whether or not intentional. Good use of repetition too.

    Lose 'just' from the last line :)

  • 'just' has been removed, cheers :)

    The oddities are not intentional, as is not intentional for me to be an odd thing, I born like that, I didn't became; and i never tried to change it. I do what I can for improve it and be proud of it until I die.

  • Anyone on here hate poetry? I'm reading at this next Friday.

    http://www.richmix.org.uk/whats-on/event/fraff-scottee/

  • Has anyone on here come across a series of poems by Arthur Waugh entitled legends of the wheel . They were written in the late victorian era and I have found them quite amusing.

  • Photographs

    Remember when we had nothing to prove and left
    our beds unmade and stuck the walls with pins and lists
    to show where we had been and you were funny then, you
    found me funny then and I have photographs to prove it.
    They have holes in the corners. They document in some
    detail how much you laughed in the kitchen on the lino
    with your face and it wakes me up at night,
    the sound of your face on the lino, laughing, it echoes
    off the floor and I will never forgive you for that.

    I knew what you all thought and I played up to it,
    I pretended I was worse than you suspected, I kept you
    up, late, pretending with the window open, faking it
    out into the night. The carpet could be soft as fur, rough
    as our fathers' faces. It was never a question of who
    was worse although I kept the shoes that marked me out
    as troubled, they need re-heeling. And I could tell
    it meant much more to me than you when I made
    that joke about the empty jar and I still smile when
    I remember jars and I still struggle to forgive you for that.

    It's like those pictures on the news of people missing
    in disasters, sometimes with the faces of their
    friends blurred out, so the ones who in real life are fine
    are missing from the picture. I was the only one
    who watched the news and you all left me to it but
    when you came through and saw my face
    you could have heard a pin. And it wakes me up
    at night, the sound of pins on the lino, the sound
    of my face, dropping, and I never blamed you
    once for that but still.

    There was a time when we had nothing to prove, my
    hair was longer then, we pinned each other to the walls
    and wiped our sleeves across our faces. But now you
    cross the street and pretend to bend to pick things up
    so as not to meet my gaze. Look, here's me on the ferry,
    here's you at the station, there's everyone with the hats
    we made that time, I still have mine. You pinned a peony
    in the brim for me, the pin went through into my scalp
    and you assured me it was clean.
    And here's you picking pins up off the street.

  • Chuck-out

    There are points in our lives when we chuck things out
    It's hard painful and light, its depressing and bright
    Some things are easy to say goodbye to
    No second glance nor thought
    Some strain the heart and break the mind,
    They rend and rip your soul apart

    Photos, hazy people deceased and loved, past loves, younger selves
    Those broken loves, places and faces, some digitalised, perhaps go easy
    Mums Dads, Grans and Sons will stay today

    Clothes are easy for a simple man
    Two or three are all required, (plus more socks and pants)
    To fill one shelf and a draw, no more

    Books of subjects once loved, still love, read, unread, most go
    "Move on" voice says, there's new stuff to know, and libraries
    Gifts of books, harder still unless one wants to forget the (for)giver

    Things accumulated, bric-a-brac, pretty, ugly laden with meaning
    Useless, dusty meaning-lost or vague are binned
    leaving lazy, charity-shop ebay pounds of guilt

    Papers, ex-love letters ,cards with kisses, bills of rights and wrongs
    Thoroughly sifted (as if), to rescue those required to exist
    Poems scrawled and sketches doodled to be recycled as toilet paper

    Entertainment format now obsolete, (will never buy a betamax player)
    But cassettes, -old playlists, VHS, family super 8,
    A vinyl countdown to death, It's all on-line, free streaming all the time

    And you can't take anything with you when you go!

    There are points in our lives when we chuck things out
    It's hard painful and light, its depressing and bright
    Some things are easy to say goodbye to
    No second glance nor thought
    Some strain the heart and break the mind,
    they rend and rip your soul apart

  • Halloween

    My love's dead mother came to us one halloween
    in the form of a crab,
    picking her way through the synthetic spiders webs
    draped across the windows of the bar.
    She blew bubbles. Her tiny eyes
    didn't recognise us.

    The place was heavily themed,
    full of pirates, ghosts, in-patients.
    My love wore drops of blood on her cheeks.
    "What have you come as?"

    I said. Outside she wept like the sea,
    I held her, kissed her on the cheek
    and found she tasted of plastic.
    "Flotsam" she said
    and we drifted into the night
    like polystyrene packaging
    our skin white and dimpled in the cold.

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Poems / poetry / verse

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